Viewing entries tagged
Rehearsal

Tactics and Techniques, Part 2: Techniques

Tactics and Techniques, Part 2: Techniques

...There are quite a few other techniques that I would broadly lump broadly into this category. Each could have their own essay, and some already do. Here are a few examples:

  • Knowing when to stop and fix something.

  • Knowing how to prioritize between competing priorities.

  • Knowing when to move on from a passage.

  • Knowing when practicing under- or at-tempo would be (in)effective....

Tactic Tuesday - Big Eyes

Tactic Tuesday - Big Eyes

Simon Rattle rehearses the choir and orchestra of the Bavarian Radio Symphony Orchestra as they get ready for a performance of Haydn’s Creation. This brief clip demonstrates rehearsal instructions centered choral diction around a brief passage in Haydn’s Creation. The frequent stopping and starting indicates rare high-quality footage of a professional organization engaged in a true detail rehearsal, not merely a dress rehearsal run-through.

Everyone's Favorite Venn Diagram

Everyone's Favorite Venn Diagram

The key thing to be aware of is that noticing what the problem is, and knowing why it is happening, are both separate skills from being able to prescribe a solution.”

The Intelligent Fail

The Intelligent Fail

Edmondson gives four characteristics of an Intelligent Failure

  1. The failure takes place in a novel situation.

  2. The context “presents a credible opportunity to advance toward a desired goal.”

  3. Due dilligence (practice, preparation, research, deliberate process, etc.) is undertaken….

Music in The Context

Music in The Context

…while removing context can cut away the unimportant, it also runs the risk of cutting away the glue that holds the music together in the first place.

Intuition on the Podium

Intuition on the Podium

“Pearson has managed a feat here by succinctly building on Klein’s earlier definition but expanding it to include a range of conscious activity that can be performed on and around the unconscious activity. Malcolm Gladwell famously called our subconscious ‘the locked door,’ but on Pearson’s account, there might be a few ways to slide some paper under the door, or to put an ear to the door for some helpful signals.”

Jordan Randall Smith is the Music Director of Symphony Number One.